Oscillators 1, 2 and 3 options include: triangular triangular/saw saw square wide pulse and narrow pulse, while OSC 4 features: triangular reverse saw saw square wide pulse and narrow pulse. The Poly D has four Voltage Controlled Oscillators (VCOs) that offer 5 waveforms. Owning a POLY D is like having your own personal time machine, enabling you to freely embrace the past – or shape the future!”
The pure analog signal path is based on authentic VCO, VCF, VCA and ladder filter designs in conjunction with a dedicated and fully analog triangle/square wave LFO.
Behringer poly d analog polyphonic synthesizer portable#
“The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive.Īn ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the Behringer POLY D lets you conjure up virtually any monophonic or polyphonic sound imaginable with incredible finesse and ease. Here’s what Behringer has to day about their latest synth: To earn this description, it must be able to shape each note independently, and without deference to any notes that may already be sounding.” “You should never call an instrument ‘polyphonic’ simply because it can play several notes simultaneously. SOS synth guru Gordon Reid has this to say about describing paraphonic synths as ‘polyphonic’: The rest of the audio path is essentially a monophonic design. While Behringer calls it a ‘Poly’ synth, it is a paraphonic design that lets you individually control the pitches of its oscillators. Behringer has introduced the Poly D synthesizer, a new keyboard that builds on the classic Moog Model D design by adding an extra oscillator, sequencer and effects.
0 kommentar(er)
